40 Days of Awwwesome: KT’s Eva Cassidy memories

Excerpted from an article originally posted by KT at FOD

The call that did not happen

It was Friday afternoon and I was tired from a long week at work filled with deadlines and office politics and I needed a break.

My boyfriend called and echoed similar sentiments and we decided that a Friday night filled with soulful music was in order.  But what plans can be made at the last minute? Where could we go to receive the much needed break from our hectic schedule?

There were a few places in town that occasionally featured bluesy soulful singers but neither of us had to energy to call around so we decided to go to Fleetwoods, a club in town owned and operated by Mick Fleetwood, which provided an excellent venue for regional artists to perform.  I offered to call Fleetwoods just to check who was performing but the decision was made to just take our chances and go.

We were escorted to seats close to the stage and slumped into the chairs when the waitress greeted us for our order.  We anxiously asked what band was playing and as she named the band we were slightly disappointed, not because the band was bad … no they were good but they simply weren’t a bluesy soulful band.  We lamented that we should have called ahead and agreed to do so next time.  Soon, however, we discovered that had we made that call we might have missed an amazing, unforgettable experience.

“I would like to invite a guest vocalist to join us on stage….”

The band started playing and was greeted warmly by a sold out Friday night crowd.  The crowd mostly listened to the band but also ate their dinner and talked to friends at nearby tables.  About halfway through the first set, the lead singer said that she wanted to invite a guest vocalist to join them on stage and motioned to someone from the back of the room to join the band.

I looked back and saw a pretty but plain woman, with her face almost devoid of any expression, walking to the stage. Her body language suggested she rather be at home reading a good book than walking up to that stage. I remember thinking, “Oh this doesn’t look too good” and almost feeling embarrassed for her in advance.

Dropping jaws

As the guest vocalist got up to the stage and strapped the guitar around her shoulder; the two singers looked at each other and nodded as if to say let’s get this party started.

The minute the guest vocalist started to sing my jaw dropped to the ground in awe.  Simply put, I was blown away.  All of a sudden, eating stopped, conversation subsided and all eyes turned towards the stage in disbelief as to what we were hearing. I looked around at the others in the audience wondering whether they were feeling the same and I could tell by the looks on their faces that they were mesmerized. At the end of the song, the lead vocalist of the band said: “Ladies and gentlemen, please give it up for Eva Cassidy.”

Left you wanting more

Eva finished the rest of the first set and I hadn’t experienced anything like it before.  By the response, I could tell the audience felt the same way … the collective feeling was palpable. Who was this person, where did she come from…why haven’t I heard of her before? I didn’t know the answers to those questions but did know one thing, that whenever we had the chance to hear her sing again, we would go.

We were lucky to see her perform 6 more times before she lost her battle to cancer.  I felt so sad that the rest of the world would not experience her special talent but I was thankfully wrong as the power of her gift was recognized on an international level and rightfully so. I felt so honored to have witnessed her talent in person.

I have always loved music. There were musicians that I appreciated, songs that I really connected with and certain performances that were memorable; but in retrospect, listening to Eva was the first time in my life that I had really felt someone’s music.  I didn’t just hear it … I felt it.  And there has been no other artist that has made me feel the same since, that is, until this year when I heard David sing.

Makes perfect sense

It made perfect sense to me when I heard David say that Eva was a special artist for him.  I saw the comparisons immediately.  Like Eva, in listening to David perform I noticed:

His music doesn’t originate from him or end with him but flows through him.

His humility boldly states that this is not about me but the music.

He does not want to compromise his convictions for the sake of a dollar or fame.

His music is 3 dimensional affecting the body, mind and soul.

I feel his music.  It doesn’t matter the venue, the song or the setting; every time he sings I feel his music.  That is a special gift.

KT

p.s. When I first met KT and the lovely @RamblingDA, after the Hershey, PA, show (on the Demi tour), she told me that when it was her turn to go up at the Hershey VIP, she told David she had a story she thought he’d appreciate but that it was a long one so she’d written it all in a letter… about seeing Eva Cassidy perform live. David being David misheard her and said, “David Cassidy??” 😆 😆 😆

Here is Eva singing a Canadian classic, Gordon Lightfoot’s Early Morning Rain.

[Video credits: Autumn Leaves, ironizxcv; Early Morning Rain, Fish41187]

*************************

Posted on FOD Feb. 15, 2010

I watched the footage today–of David singing “Fields of Gold” as part of his Christmas tour in 2009.

David’s voice continues to impress me……..

so soulful and mellow………

a voice that can soothe you, relax you, and just make you feel joyful……..

And his introduction of this song—David talking about my beloved sister, Eva……..

well, tears welled up in my eyes……..

Thank you, David—for being so gracious and kind!!!

I also wanted to share my comments on David’s Christmas CD, “Christmas from the Heart”.

Oh my goodness…….this CD was even more amazing than I had anticipated!

The album as a whole was wonderful, and these songs, in particular, were absolutely beautiful: Silent Night, O Holy Night, What Child is This, Riu Riu Chui, and Ave Maria.

Silent Night, though, was my absolute favorite…..it was sooooo beautifully done, I had tears in my eyes. Even my husband confessed, that he, too–had tears in his eyes while listening to this song……

I also loved the spiritual message David wrote in the liner notes. Beautiful thoughts, David!

So, for those of you who haven’t gotten David’s Christmas CD yet, please do! I know you’re going to love it as much as I do!!!

And to David—may this New Year have lots of wonderful things in store for you!

Thanks for all you do!!!

Warmest regards,

Margret Cassidy Robinson

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40 Days of Awwwesome: Watch out, DaViD!!!

*cue Jaws theme*

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From here, as you recall:

Gifs: The amazing @SamLouiseG/ohnopurple Tumblr

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40 Days of Awwwesome: Gotta love @DavidArchie soundchecks

Waiting for Yesterday (check out the ending, Mr. Showoff)

Elevator

Love Don’t Hate

Touch My Hand

STR

Crazy

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40 Days of Awwwesome: Dance @DavidArchie Dance

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40 Days of Awwwesome: “What is true love?” twitter par-tay

Remember when David (probably with thoughts of Anya and Josh Bradley still rumbling around in his head) decided to have a “deep thoughts” Twitter party… something ’bout love? 🙂

(thanks to the lovely @weiyannn for RTing 🙂 )

Happy Valentine’s Day!!!

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40 Days of Awwwesome: Quotable quotes on finding a direction

This is the first post in a series highlighting a bunch of random, “awwwesome” things about David, or that David’s done.

I know I kid around a lot, but this particular season is one I take really seriously and a while back (even before I knew there would be a new album coming out), I’d decided to give up David for Lent … so no music, vids, news, Twitter, the works, for 40ish days. No idea how I’ll get through this alive, so if you pray, please say one for me, lol.

Anywayyyssss, this little corner of David world is special to me, as are you kind people who drop by here, so the marvels of WordPress mean that I can pre-schedule posts to go up while I’m “fasting.” 🙂 So please do still read, comment and spazz away come album time … x 2, for me.

This particular post is about some older interview quotes that I really enjoyed reading while David’s away. Maybe gives us a glimpse of the great stuff to come once he returns to music…

turnleft“Too often in the past, [David Archuleta] said, producers would give him songs that didn’t fit his vision or voice. “I want to make my voice come through more … I want to do songs that are more vocally driven, so I can be emotional.” He still wants to pursue pop, but didn’t want to be a ‘classical pop singer.’ He has been listening a lot to Adele and The Civil Wars, the latter a country-folk duo that includes former writing partner Joy Williams…..” (Source.)

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screen-shot-2010-08-05-at-7-33-14-pmQ. You’ve mentioned recently a lot about finding a direction, going to meetings to decide your future etc. Do you have someone, a mentor perhaps guiding you at the moment?

DA: To be honest I always have to say no one is guiding me better than God. He’s been the one guiding me. I’ve been saying a lot of prayers and trying to say ‘OK what do I need to be doing right now because I could’ve been doing a lot of other things. But what is it that I’m supposed to be doing? And a lot of times that’s scary because, it’s like I can go so many different ways. I could mess this up or who knows what. but there’s just something you feel inside that’s like ‘you know what keep going’. Even though you’re not sure exactly what’s going to happen, you feel good about what’s going on, you feel good about the decisions you’re making, you feel good about going to take a break and just meet with writers.

Q. Do you have a definite plan on what you’re going to do next?

DA: I want to try to release something new for the fans. I don’t want to make a full album this year, of course I will down the road, but not this year. But I do want to give something. And so I’ve been thinking about releasing another song for the fans who’ve been so patient, and have been good. And that’s what I’m working towards. In the last couple of weeks I’ve been meeting different people in L.A. too. But now I’m going to Nashville because I’ve done writing in Nashville before in the past and that’s where I felt magic. I need to follow this direction and this feeling and I feel it here in Nashville. A lot of people think that “Oh nashville, so you go to country, you’re going to do country music now?” It’s like no, there are a lot of different writers here. A lot of people like Ke$ha, Kings of Leon, Paramore, they’re all from Nashville. so there’s more than just country here.

Q. You mentioned that you wanted to do Latin songs really badly, how far away are we from hearing a Latin track from you?

DA: That’s something else that I’ve been working on actually. As I’ve been writing, I’ve been working on writing Spanish ideas too. I’ve been kinda reaching out a little bit here and a little there. Another thing that I want to do this year is more Christmas stuff actually. not like a Christmas album but I’m hoping to do more Christmas shows. Maybe have some Christmas releases, even if it’s a little one this year, because my favourite tour that I’ve done so far is the Christmas tour. I’ve been looking into that but I have been writing a little bit (of) Spanish stuff and what I would love to do is just get some Spanish material together. I’m trying to get my own songs, my own materials together right now.

Q. Who is your favourite Latin artist and why?

DA: I really like Luis Fonsi. I think he’s really good. I love this voice. He’s an amazing singer. Of course I grew up listening to Selena with my mom. She inspired me a lot because one of the first songs I’ve ever learned ever was one of Selena’s songs.

Q. Tell us more about your leaving record label JIVE.

DA: A lot of people were surprised about me not being with JIVE anymore. They (JIVE) actually offered a different deal to stay with them, but I just felt I haven’t been happy over this last year or two. I haven’t been going in the direction that I’ve wanted to go fully. I’ve learned so much and the people there that I’ve worked with have been really great people. But I need space, and I didn’t get that. Since American Idol it was go go go, and do this and not do this. It’s like I really have time to think about what I really want to do, and that’s why it’s like I just said I think it’ll be good to just do my own thing.

It wasn’t just the label that I left, I also left the management team that I had at the time too, because I felt like I need to know what I think. So many people are telling me what to do, so many people are saying this is what you need to do, this is what’s going to make you successful, this is your music, this is your style. I didn’t know what to do, I was so confused. And now it was like I felt like I could breathe now. It felt like I was finally breathing oxygen again because I didn’t have that pressure anymore.

Q. Is going independent an option or are you looking to sign with a different company soon?

DA: I’ve actually met with other record labels and I got offered deals to get signed again. But I just felt like you know what, why? It’s like why get signed so I can have the same problems that I had before? I want to spend time writing, get those songs together, and then go out and say I’m ready. I’m ready to make an album and show it to the record labels and say this is the music I’m going to do. Are you supportive, do you believe in me? That’s what I want to do. I want to be able to do the music that I feel, the music that I want to try, to take a chance with it instead of other people saying it for me. So I’m not looking for a label right now, I was for a little bit, but then I decided it’s not what I need to do right now.

(Source.)

Peace be with you and see you all at Easter! ♥

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SAz Poll: Would you like to see @DavidArchie do SNL someday?

ToshSo apparently the Biebs was on SNL last night. I didn’t see it but I have seen him perform on SNL previously and I actually thought he did much better as an actor than a singer, tbh.

I have ALWAYS wanted David to be invited as the musical performer on that show. Sometimes I only tune in to see the musical guest and the live format really showcases who has what it takes (Adele, Bruno Mars, Jason Mraz), and who doesn’t (*cough*Lana Del Rey*cough*).

I remember David giving Taylor Swift props, for her stint as SNL host, in one of his vlogs, so I have a feeling he’d love to try it someday too. For those who can’t imagine him on that show, did we ever think he’d do the Guitar Hero spot? The Tosh.0 skit?? Crying slash flirting slash fight scenes on Nandito Ako??? Basically, never say never when it comes to David. (And yes, I sincerely apologize for that reference. 🙂 )

What do you guys think?

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@DavidArchie’s single art has come a long way, baby….

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Dare we speak of this first one?
Crush

p.s.

courtesy of @ArchieGabee
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The Canadian record roots of @DavidArchie’s NMHF label

David-Archuleta-Dont-Run-Away-2013-fanmade-by-PsychoGraphicsTurns out, the parent company of Entertainment One (the independent label releasing David Archuleta’s No Matter How Far album) started out right here in Canada. Their history makes for interesting reading (for me, anyway, lol):

RecordsOnWheelsFrom roots as a Canadian record and tape retailer to a global leader in content, Entertainment One has touched nearly every step of acquisition, production and distribution for film, television and music. Today, Entertainment One has grown beyond its modest record store roots bringing film and music to regions around the world — with more than 24,000 film and television titles, 2,700 hours of television programming and 45,000 music tracks.

eOneeOne began operations in 1973 in Ontario, Canada, as Records on Wheels Limited (‘ROW’), founded and operated by Vito Ierullo and Don Ierullo focusing on retail sales of recorded music. In the late 1970s ROW began to distribute recorded music for third party retailers throughout Canada. Over the next 20+ years, entertainment content distribution became ROW’s primary focus as the company expanded into video, purchasing one of Canada’s largest home entertainment distributors, Video One Canada. In November 2003 ROW listed on the Toronto Stock Exchange as ROW Entertainment Income Fund, and soon after changed its name to Entertainment One Income Fund for which the role of CEO of Entertainment One was graciously given to the current CEO of eOne by Vito Ierullo.

eOne1In June 2005, Entertainment One Income Fund acquired Koch Entertainment, North America’s largest indie music label and a large U.S. distributor of home entertainment products. The combined company, now called Entertainment One (a.k.a. eOne), had a comprehensive U.S.-Canadian distribution network and began acquiring rights for specialty content. In 2007, in a move to fund expansion into independent feature film distribution and rights ownership, eOne was sold to UK-based Marwyn Investment Management and immediately listed on London’s Alternative Investment Market in a $200 million IPO.

eOne2In 2007, eOne acquired Montreal-based film distributor Seville Pictures and UK distributor Contender Entertainment and, that same year, the company secured its first film output agreement with Summit Entertainment – a deal which included the future cinematic and home video blockbuster Twilight film series, a teen romance about vampires based on the best-selling book of the same name. The acquisitions continued in 2008 with the purchase of leading Benelux distributor RCV Entertainment. That same year, eOne created its television arm, purchasing production companies Blueprint and Barna-Alper and international television distributor Oasis International.

eOne3On May 28, 2012, eOne confirmed their bid to purchase Alliance Films from Goldman Sachs Group and Investissement Quebec, similar to the purchase of Maple Pictures a year prior.

On January 9, 2013, Entertainment One (eOne) completed transaction of Alliance Films for $225 million and will merge Alliance Films and all of their subsidiaries under the Entertainment One brand.[10] With this deal, eOne will distribute titles from The Weinstein Company and Lionsgate as well as Summit Entertainment, Focus Features, Lakeshore, Lava Bear, and Morgan Creek in Canada; the deal also brings eOne output agreements with Summit and Lionsgate in Spain and Relativity Media in Canada and the UK.

E1 Music (formerly Koch Records), the primary subsidiary of E1 Entertainment LP, is an independent record label in the United States. It is widely regarded as the top independent record label in the United States, having garnered the most Billboard hits of any independent record label in history. It is also distributed by the Universal Music Group in Europe under the name E1 Universal. On January 22, 2009, Koch Records was officially branded as “E1 Music” by parent company Entertainment One.

Since its inception as KOCH Records, E1 Music has charted over 100 albums on Billboard‘s Independent Chart, surpassing the number of titles charted by all other U.S. independent labels. E1 Music has been the number one independent label according to Billboard for the last six years and quickly grew to become North America’s largest independently owned and distributed record label. E1 Music covers all musical genres from adult-contemporary to rock, urban to country, children’s to classical.

Sources: Entertainment One and wikipedia

P.S.

Love these guys already!

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Don’t Run Away single on Soundcloud!

I like these guys already!

AND THE SINGLE’S ON SOUNDCLOUD!!!!

Does it sound any different to you guys than the leaked version?

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